His cover of the Fleetwoods' "Come Softly to Me" demonstrated a vocal range not heard on his older recordings. His cover version of James Hendricks' "Glory Train" was another stylistic stretch and featured a gospel-like chorus of backing vocalists. His version of Delaney Bramlett's "God Knows I Love You", along with his self-penned "Salt Lake City", placed Knox firmly in the midst of the new pop-music genre, being populated by artists such as Delaney & Bonnie, Eric Clapton, and others who were on the leading edge of the developing Southern rock style such as Black Oak Arkansas and the Allman Brothers Band. Several singles recorded by Knox between 19 were notable for his experimenting with a variety of sounds and styles, and from a creative and critical standpoint, may have been his most productive era. The title song of the album, Gypsy Man, written by Sonny Curtis and featuring Curtis' acoustic guitar work, received airplay on country music radio stations. His first album on United Artists earned him the nickname by which he would be known for the remainder of his life. Working with producer Bob Montgomery (songwriter), Knox honed his traditional rockabilly style more toward the modern country sound of the day. In 1968, Knox, who had been living in semiretirement in Macon, Georgia, while running his publishing company, moved to Nashville, Tennessee, and signed a new recording contract with United Artists Records. Liberty and principal record producer Snuff Garrett successfully employed the same production techniques for their other mainstream pop artists of the time, which included Johnny Burnette and Bobby Vee. ![]() The sound captured on these recordings was a distinct departure from his earlier rockabilly work for Roulette. "Lovey Dovey" and "Ling-Ting-Tong" were the most notable recordings from this era. In the early 1960s, Knox signed with Liberty Records and released several more mainstream pop records, featuring string arrangements and backing vocalists. "Party Doll" was voted one of the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. For his pioneering contribution, Knox was elected to the Rockabilly Hall of Fame. While he never achieved the same level of artistic success as Holly or Orbison, Knox outlived both and enjoyed a long career in music. This success was followed by "Rock Your Little Baby To Sleep", a number-17 hit, and " Hula Love", a number-9 hit. It sold over one million copies, and was awarded a gold disc by the RIAA. Knox's song "Party Doll" was released on the Roulette record label, and went to number one on the Cash Box record chart in 1957 (after being picked from the tiny Triple-D label). After they performed on the same 1956 radio show as fellow Texan Roy Orbison and his "Teen Kings" band, Orbison suggested that Knox go to record producer Norman Petty, who had a recording studio in Clovis, New Mexico, the same studio where Buddy Holly recorded several of his early hits, including " That'll Be the Day". In his teens, he and some high-school friends formed a band called the "Rhythm Orchids". Knox was born in the tiny farming community of Happy, Texas, United States, and learned to play the guitar in his youth. Buddy Wayne Knox (J– February 14, 1999) was an American singer and songwriter, best known for his 1957 rock hit song, " Party Doll".
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